Edit The Development of Personality "Psychic conflicts in a child.
He was a newspaper editor and postmaster, and the family was active in local politics and staunchly Republican.
Frederic Remington was related by family bloodlines to Indian portrait artist George Catlin  and cowboy sculptor Earl W. He was also related to three famous mountain men— Jedediah SmithJonathan T. Warner and Robert "Doc" Newell.
After the war, he moved his family to Bloomington, Illinois for a brief time and was appointed editor of the Bloomington Republican, but the family returned to Canton in He was an active child, large and strong for his age, who loved to hunt, swim, ride, and go camping.
He began to make drawings and sketches of soldiers and cowboys at an early age. Remington took his first drawing lessons at the Institute. He then transferred to another military school where his classmates found the young Remington to be a pleasant fellow, a bit careless and lazy, good-humored, and generous of spirit, but definitely not soldier material.
At sixteen, he wrote to his uncle of his modest ambitions, "I never intend to do any great amount of labor. I have but one short life and do not aspire to wealth or fame in a degree which could only be obtained by an extraordinary effort on my part".
He found that football and boxing were more interesting than the formal art training, particularly drawing from casts and still life objects. He preferred action drawing and his first published illustration was a cartoon of a "bandaged football player" for the student newspaper Yale Courant.
He left Yale in to tend to his ailing father, who had tuberculosis. His father died a year later, at age fifty, receiving respectful recognition from the citizens of Ogdensburg. Arizona cow-boy lithograph Living off his inheritance and modest work income, Remington refused to go back to art school and instead spent time camping and enjoying himself.
At nineteen, he made his first trip west, going to Montana,  at first to buy a cattle operation then a mining interest but realized he did not have sufficient capital for either.
In the American West ofhe saw the vast prairies, the quickly shrinking buffalo herds, the still unfenced cattle, and the last major confrontations of U. Cavalry and Native American tribes, scenes he had imagined since his childhood.
He also hunted grizzly bears with Montague Stevens in New Mexico in Wyeth and Zane Greywho arrived twenty-five years later when much of the mythic West had already slipped into history. He invested his entire inheritance but found ranching to be a rough, boring, isolated occupation which deprived him of the finer things of Eastern life, and the real ranchers thought of him as lazy.
Inhe sold his land. After less than a year, he sold his ranch and went home. After acquiring more capital from his mother, he returned to Kansas City to start a hardware business, but due to an alleged swindle, it failed, and he reinvested his remaining money as a silent, half-owner of a saloon.
He went home to marry Eva Caten in and they returned to Kansas City immediately. She was unhappy with his saloon life and was unimpressed by the sketches of saloon inhabitants that Remington regularly showed her. When his real occupation became known, she left him and returned to Ogdensburg.
He soon had enough success selling his paintings to locals to see art as a real profession. Remington returned home again, his inheritance gone but his faith in his new career secured, reunited with his wife and moved to Brooklyn.
He began studies at the Art Students League of New York and significantly bolstered his fresh though still rough technique. His timing was excellent as newspaper interest in the dying West was escalating.
With financial backing from his Uncle Bill, Remington was able to pursue his art career and support his wife. Although he never caught up with Geronimo, Remington did acquire many authentic artifacts to be used later as props, and made many photos and sketches valuable for later paintings.
Ironically, art critics later criticized his palette as "primitive and unnatural" even though it was based on actual observation.
To expand his commission work, he also began doing drawings for Outing magazine. As he added watercolor, he began to sell his work in art exhibitions. His works were selling well but garnered no prizes, as the competition was strong and masters like Winslow Homer and Eastman Johnson were considered his superiors.
A trip to Canada in produced illustrations of the Blackfootthe Crow Nationand the Canadian Mountieswhich were eagerly enjoyed by the reading public.A useful introduction to Mormon missiology is R. Lanier Britsch, “Mormon Missions: An Introduction to the Latter-day Saints Missionary System,” Occasional Bulletin of Missionary Research 3 (January ): 22–27, and Britsch’s essay in this volume.
I believe these show that there is always some kind of connection between these two worlds like a bridge. remarked it 'made him feel like a Bach Cantata.'" The Temptation of St.
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